Single Artwork
Single Release — May 7 — "Willie Nelson"
“Willie Nelson” is a song about a recently divorced couple in a small town where everyone knows their story. When they were young and in love, they made an ill-fated choice for “their song”—”Blue Eyes Cryin’ In the Rain”—which they reflect on as they prepare to answer the same damn questions everybody’s asking. Should they answer honestly? Or do they rely on the line they’ve been privately workshopping, knowing the effect it will have when it inevitably gets back to the other?
Recorded with Brooklyn singer-songwriter Kelly Jane and mastered by Richard Dodd (Tyler Childers’ Purgatory, Margo Price’s That’s How Rumors Get Started), “Willie Nelson” is the first single off Grover Anderson & the Lampoliers’ forthcoming album All The Lies That I Have Told, out July 30.
Upcoming Releases:
June 4, 2021 • Single
“From a Golden State”
July 2, 2021 • Single
“The Gardener”
(Tallest Man on Earth cover)
July 30, 2021 • Album
All the Lies That I Have Told
Biography
For years, Grover Anderson wrestled with his commitment to holding a day job. Always eager to pursue a career as a singer-songwriter, the desire to start and support a family landed one all-important notch higher on life’s priority list. For the last six years he’s been making both work—teaching high school English & drama in his small mountain town, building a devout local following, and touring the US in the summer. He released four albums and played in 23 states, yet still he wondered if he’d given short shrift to a dream. Then 2020 happened, and as he witnessed the hardships endured by career performers, Grover had never felt more fortunate to hold a secondary gig.
At the beginning of last year, Grover and his bandmate Josh Certo began mapping out songs for what was to be Grover’s fifth album. The intent was to use the recordings as a foundation on which their band, Grover Anderson & the Lampoliers, could collaborate through a busy year of gigs and rehearsals. When lockdown began, their project quickly changed directions—Grover, Josh, Marshall Henry, and Anthony Delaney recorded their parts in home studios, sharing tracks virtually to create a fundamentally different album.
All the Lies That I Have Told is a collection of small town stories. Written around a high-country campfire, in a Texas Uber, and amidst Wikipedia deep dives, the songs dig a little deeper than traditional rural clichés. “From a Golden State” is a diary entry from a metropolitan teen forced to move to a place where everyone already knows your story. The duet “Willie Nelson” follows recent divorcees prepping their answers for the same questions that everyone’s asking. Inspired by true crime stories from early 1900’s America, “Tom Horn” and “Man from the Train” explore the impact of heinous villainy on tight-knit communities. It’s not all dark and gloomy—“Backseat Chorus” developed on the twice-daily drive out a one-and-a-half lane road into town, and “Icarus” reflects on a family’s perseverance through tragedy. Two songs, considering the emptiness of infidelity (“In the Nighttime”) and the impact that free two-day shipping has on the worker who makes it possible (is “Amazon Song” too stark a title?), along with a honky-tonk cover of Swedish murder ballad “The Gardener”, round out the album.
The narrative lyrical content in All the Lies That I Have Told stands in stark contrast to Grover’s autobiographical release The Frontman (named the #1 album of 2019 by IndependentClauses.com), but shares the genre-hopping breadth of 2014’s The Optimist, from which “Little Spoon”, “Grindstone”, and “Sick of You” continue to attract new fans. Those songs and others, like the 2011 surf duet “Moonshine”, have been streamed by over 650k people on Spotify and have found homes in 38k listener-made playlists. The variety of bands that he’s opened for (including America, Matt Stell, Birds of Chicago, and The Charlie Daniels Band) reflects the crossover appeal of his music, which folks have labelled folk, country, rock, and Americana. Grover doesn’t really care what folks call it as long as it moves them.
When distancing guidelines cleared his 2020 touring calendar, Grover began playing Pickup Truck Concerts, driving all over Northern California to play safely-distanced acoustic shows from the bed of his truck for folks in their driveways. People who’d loved shows with his band The Lampoliers developed a new appreciation for Grover’s assiduous songwriting and fanciful narratives at these small, modified house concerts. Grover played these shows through the end of 2020 and plans to continue them for a second season this year, in addition to a modest public schedule with The Lampoliers until live music reopens for good.
Grover lives in Murphys, CA with his wife Katie (also a high school teacher) and their two daughters.
Grover Anderson & the Lampoliers
lamp•o•lier | læm′pǝ′lɪɚ
noun | origin: 19th Cent. | colloquial
1. one who maintains street lamps
2. apocryphal demon; personification of avarice
3. member of Grover Anderson’s band
Josh Certo (drums) has been the band’s primary musical leader since 2013.
Marshall Henry (lead guitar) joined the band in 2016 and often accompanies Grover at house concerts and smaller venues.
Anthony Delaney (bass) started playing with Grover in early 2018, shortly after relocating from the Bay Area. When not Lampoliering, Anthony leads The Murphys Jazz Experiment, which hosts a weekly night of improvised music in Murphys.
Press
“Over the past few months, I’ve been struck by Grover Anderson’s creativity. I’ve introduced you to a few of his songs — and none of them sound the same. Anderson’s interested in telling the best stories he can with all of the tools at his disposal, and he’s got a great many.”
—Rachel Cholst, Adobe & Teardrops
“Some songs are likely to simply floor the listener: absolutely devastating with brutal honesty…There are stories here, ones that will draw in listeners, but melody is what makes them songs—Anderson walks that fine line, ensuring he doesn’t allow his internal dialogue to interfere with the listener’s purpose: musical enjoyment. The Frontman is why Fervor Coulee continues to exist.”
—Donald Teplyske, Fervor Coulee
“Anderson is a storyteller extraordinaire. He crafts imagery through stunning lyricism like the town cryer.”
—Lisa Whealy, Independent Clauses
“Though many musical men of late have trendily taken on the trappings of woodsmen, Anderson, hailing from the Sierra foothills, is the real deal — his country- and folk-inspired music has a homey warmth that can’t be faked.”
—Santa Barbara Independent
“If Paul Simon wrote a country love song it might be this one. The melody and poetic lyrics in Evergreen are blended perfectly. You might even imagine a balsamy breeze as Grover’s smooth, sweet vocals confess satisfaction and joy.”
—Karen Bernick, Karen Loves Country
Social Media
Instagram • Twitter • Facebook
Songkick • BandsInTown
Spotify • Soundcloud • Youtube • Email
Single Credits
Produced by Grover Anderson & Marshall Henry
Music & Lyrics by Grover Anderson (ASCAP)
Performed by:
Grover Anderson — Vocals, Acoustic Guitar
Josh Certo — Drums
Anthony Delaney — Bass
Marshall Henry — Electric Guitars
Featuring:
Kelly Jane – Vocals
Mixed by Michael Clebanoff
Mastered by Richard Dodd
Lyrics
I’m moving on, but I’ll still think about you
When I hear Willie Nelson sing of embers in the rain
And I was wrong, but what good are convictions when you’re
Grasping at the fire pretending you don’t feel the pain?
It’s such a shame, shame
I’ve got a cup. I fill it up with whiskey
In the hopes of drowning out your memory
And oh it works, especially in the morning when
The bright lights and the headaches and your face are all I see
I tell my friends, they oughta set me up, and when I stumble into church
I lie, pretend I’m finding peace
I got a line. I practice it in private,
So when people ask about me I’ll somehow make them believe
I’m moving on, but I’ll still think about you
When I hear Willie Nelson sing of embers in the rain
And I was wrong, but what good are convictions when you’re
Grasping at the fire pretending you don’t feel the pain?
It’s such a shame, shame
I take it slow, cause sympathy’s a virtue
That I ain’t got the energy to fake
I know in time, I’ll feel awful stupid
For this helpless psyche I can’t seem to break
I tell my friends, that they should just be patient
Let me get over my grief, I know my heart’ll heal this ache
I’ve heard your line, and I know that it’s bullshit
But I’m happy that you’re tryin’ cause Lord knows I can relate
I’m moving on, but I’ll still think about you
When I hear Willie Nelson sing of embers in the rain
And I was wrong, but what good are convictions when you’re
Grasping at the fire pretending you don’t feel the pain?
It’s such a shame, shame
I’ll hit rock bottom soon enough then come back better than before
And when I’m finally tired of being tough the next love will be so much more
But for now I’m moving on, but I’ll still think about you
When I hear Willie Nelson sing of embers in the rain
And I was wrong, but what good are convictions when you’re
Grasping at the fire pretending you don’t feel the pain?
It’s such a shame, shame